• Salma Agha Ghazals

    Salma Agha Ghazals

    Artist: Salma Agha. Category: Ghazals. Share on Whatsapp. Best Of Salma Agah Is A Album.It Contains 14 Tracks Sung By Salma Agha.Below Are The Tracks Of Best Of Salma Agah Album By Their Singer Name Respectively. Best Of Salma Agah. Song Name - Baat Choti Si Singer - Salma Agha Lyrics - Ahmed Rahi Music. Baat Choti Si - Harpal|Salma. Mix - Ulfat - Salma Agha| उलफत| Best Hindi Geet & Ghazals| Best Hindi Sad Songs| AUDIO JUKEBOX YouTube Ye Jo Halka Halka Saroor Hai - Ustad Nusrat Fateh Ali Khan - OSA Official HD.

    Contents. Early life Salma was grand daughter of 30's/40's famous actress Anwari Begum who played the role of Heer in the first ever Punjabi film in the Indian sub-continent Heer Ranjha (1932).

    Famous musician Rafiq Ghaznavi was her grand father and her mother Nasreen worked with in Shahjahan (1946) and Aik roz (1947). She was born to a wealthy father in and moved to at the age of 9. Agha is the granddaughter of famous Indian actor - 's brother-in-law; thus she is related to the famous Indian film family - Kapoors. Career Salma along with sister Sabina produced and sang for a record called AGHA - Salma and Sabina Agha sing hits in Hindi. The record made a few waves and was applauded by critics. However, it didn't create any major ripples in the film circles at the time. When acclaimed Indian director was at the London reception of his son and 's wedding, he invited his cousin Zarina Agha (Salma's mother) to the reception.

    Present at the wedding were many prominent Indian directors, including. Chopra had just finished a female oriented hit with called Insaf Ka Tarazu. He had just commissioned a heroine-oriented movie called Talaq Talaq Talaq and was on the look out for a actress. Zeenat Aman (even though, half Muslim) he felt had a much too urban look to portray the character of Neelofar in his movie. Raj Kappor too was on the lookout for a Muslim girl his movie Heena. Soon Raj Kapoor nixed plans and went ahead with Prem Rog.

    Hearing that Chopra was looking for a Muslim girl, Salma flew to to meet him. Using her uncle Raj Kapoor's connection, Salma was soon hired.

    Salma Agha Khan

    When the music directors heard Salma's ABBA hits they signed her on to sing her own songs. The songs were a huge success even before the movie was released. The movie got stuck with the who were to approve the movie before its release. They insisted on a name change and Chopra rechristened the movie Nikah. The movie went on to be a huge success and is considered a classic. It is one of the strongest debuts for an actress and a huge vehicle for a newcomer.

    She earned a nomination as Best Actress. In addition to winning the for the song 'Dil Ke Armaan,' she also earned two Filmfare nominations: one for the song 'Pyar Bhi Hai Jawan' and the other for the song 'Dil Ki Yeh Arzo'. Salma soon purchased 's apartment in, while Reena packed bags to move to London with her new husband. However, Salma wasn't interested in movies much, she soon was introduced to Mehmood Sipra, a business man, who made Salma drop all her movie assignments and produced movies for her, beginning with Begum Sahiba and Bebasi. Sipra's divorce came through while his love affair with Salma began to fade. Both movies were shelved and Salma was left without a husband or career. Thankfully, her photos were constantly in magazines even though she hadn't had a release since Nikaah and refused most offers made to her.

    Finally, after her break with Mehmood Sipra, she signed 's with. The movie was publicised with huge pictures of Salma, which in turn upset and overshadowed Mithun. This movie became Salma's second release and another hit. She earned a nomination for the song 'Jhoom Jhoom Baba.' Salma went to Pakistan to visit her now married sister Sabina, living in and while visiting relatives in, she was offered Pakistani movies. She debuted in Hum aur Tum with. They both fell in love and Javed divorced his wife of 15 years and tied the knot with Salma.

    They were in such a rush for marriage that Salma Agha didn't even dub for the Hum aur Tum. The bad job and the horrible story line killed the movie. Though the curiosity of seeing Salma and her box office power made the movie a hit in Pakistan. Salma worked on many other movies in Pakistan, none with major recognition other than a movie that later got adopted into a Hindi version Pati, Patni aur Tawaif. Salma played the same character she had, in the Pakistani version and was once again teamed with Mithun. While shooting in she also did Oonche Log with and Salma.

    All of these movies flopped massively at the box office. She recently went on tour promoting her album Husn. Personal life She was married at 16 years of age to a prominent Pakistani settled in London.

    Agha

    A divorce soon followed. After that Salma was married to actor. Soon Salma was going through another divorce. She carried on with a few more Pakistani movies then settled with the squash coach. She now shuttles between and London with Khan and puts out an album of ghazals every few years.

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    Salma References.

    As the Swedish Super Troupers get together to sing again, Sunday Times revisits a forgotten album of Hindi covers of their top hits In 1981, a year before Swedish pop group broke up, a group of Indians got together to release an unusual album — Hindi versions of their biggest hits. The songs were sung by two teenagers, Sabina and, and went on to become one of the few non-film albums to be played on Ameen Sayani’s Binaca Geetmala. Titled ‘Salma and Sabina Agha Sing the Hits of ABBA in Hindi’, the album was a unique experiment and a precursor to the Indipop revolution of the 1990s.

    “It was a trendsetter. All the other Indian pop albums came afterwards,” recalls the hazel-eyed Salma, who later starred in B R Chopra’s hit film,. It was the brainchild of London-based Pran Gohil, founder of British-Asian music label Multitone, who wanted to do a series of Hindi covers of western musicians for the Indian market.

    Amit Khanna, a lyricist and executive producer with Dev Anand’s Navketan Films, was commissioned to write original lyrics for the first album, Boney M in Hindi. ABBA, which had dominated the last decade with catchy numbers such as Dancing Queen, and Super Trouper, was an obvious choice for the second. After Gohil bought the rights of the original tracks, Khanna suggested the Agha sisters, having worked with Salma for a film titled Naya Johnny, which was never released despite its star-studded cast of Dev Anand, Hema Malini and Shammi Kapoor.

    Salma, who was studying in a school in London’s Hampstead, says the novelty of the proposal excited her. “It was such a popular group at the time in the UK,” recalls the actor, now based in Mumbai. “Songs such as Mamma Mia were already my favourites.” The Agha sisters were trained in Hindustani classical music, and Salma had already sung for BBC London and recorded an album of ghazals penned by her mother Zarina Agha. The eight-track album was arranged and recorded in one hectic week. “I remember we worked very hard,” says Salma.

    Instead of imitating ABBA’s style, the sisters gave their own girlish rendition of the popular melodies. The lyrics are in Hindi, but share the earworm quality of the original.

    So Dancing Queen became Meetha Mazedar, Mamma Mia turned into, and Money Money Money into Kabhi Kabhi. The playful lyrics speak of the headiness of first love, a lovers’ tiff, separation and yearning, and the thrill of romantic encounters. They also have elements that are uniquely Indian: young love and the fear of social disapproval. Barring a couple of pensive numbers, most of the songs are peppy and fast-paced. For Khanna, then 30, it was an opportunity to break the mould. “I was one of the first to mix Hindi, Urdu and Hindustani,” says Khanna, who has also worked with disco and Indian pop icon Biddu.

    “It was tough because the structure of a pop or rock song is distinct from that of a conventional Hindi film song,” Khanna says. “I was able to work on it only because I was familiar with western pop, so my language was idiomatic and contemporary.”.

    Salma Agha Ghazals